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The woman is no phantom...
Let me tell you about a story of how I chanced upon this
glorious creature known as Sarah Brightman. Name rings a bell?
Well, folks, to musicals fanatics, she is better known as
Phantom
of the Opera's Christine.
I was hanging out at Tower
Records, as usual, looking for new CDs to purchase when the DJ suddenly
played this hauntingly soulful rendition of Dust in The
Wind. This song is actually my all-time favorite. I have
been in love with it ever since I was a little girl. Hearing
an angel's version of it on a nice sunny day, however, just
totally blew me away. I immediately ran to the DJ's booth
and asked him frantically who the artist was. He showed me
the CD cover and I asked him where I could find it. "Basement,"
he said, smiling at my obvious enthusiasm, "Classicals
or New Age section."
I practically ran to the basement and, without testing the
other contents of the CD first, grabbed the first copy I could
get hold of and promptly purchased it. It wasn't a disappointment.
Dust in the Wind wasn't the only noteworthy song in
the list. Much as I got tired of hearing Celine
Dion's My Heart Will Go On back in the height of
Titanic,
I was still swept off my feet by Il Mio Cuore Va. It's
not just the language difference that spelled my preference;
it's the delivery. Eden, the title track, combines
Ms. Brightman's vocals with Gregorian chants (probably one
of the first projects she has done with the Masters
of Chant). This is accompanied by an atmospheric background
that just relaxes you.
The soft and enchanting Bailero registered my recognition
of her voice. This was when I thought, "I knew her voice
from somewhere. I just couldn't place where
" It
wasn't until a friend of mine mentioned knowing her as Christine
did I realize that she was the goddess who sang Angel of
Music and All I Ask of You. Shame on me! I owned
a Phantom of the Opera double cassette back when I was in
high school but it still took me a while to place the voice!
The overall feel of the album is dreamy, soulful and relaxing.
There are minor differences among tracks, but I just can't
help but feel like I'm lounging about in a fairy's flowerbed
every time I listen to this record. Sarah Brightman went beyond
what we regularly know as classical music. She took it to
the next level by exhibiting such incredible versatility and
seamlessly merging her classical background to that of New
Age.
My other recommendations: Only An Ocean Away, The
Last Words You Said, So Many Things, and just about
all the non-English songs in the album especially Nessun
Dorma, Lascia Ch'io Pianga and Un Jour Il Viendra.
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